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Inglourious Basterds

The Tarantino Shot

by Jared Wade on May 13, 2010 · 0 comments

You have to imagine this recurring camera shot is sort of a Hitchcock-doing-the-Where’s-Waldo-thing type of signature for Quentin Tarantino. Then again, he’s so high most of the time it probably could just be something he thinks he’s doing for the first time every movie.

Quentin: “I had this amazing idea for a shot last night.”
DP: “The trunk thing?”
Quentin: “No. We put the camera in the trunk of a car and then shoot the characters talking.”
DP: “Like in Reservior Dogs?”
Quention: “Reservior who? Either way … It’s going to be great.”

And … scene. Literally. (Image via Skull Swap)

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I was making my way back home from Boston earlier tonight and — per usual — got stuck in some traffic in the not-so-great state of Connecticut. So I ended up missing most of the Oscar show. But apparently they just went ahead and gave out the awards without me.

Cool friends, guys.

You likely already know what happened, but we may as well give you the full list below. And, no, it’s not a misprint — Sandra Bullock now has an Oscar. I never bothered to see The Blind Side, but I’m guessing I will always prefer her character in Speed. Less white guilt and more bus driving. What can I say? I’m a sucker for protagonistas who lost their license for … let me finish … speeding and are then serendipitously tasked with jumping a 15-ton automobile over a highway gap in order to save the lives of a dozen of her fellow Los Angelenos. Call me old-fashioned.

Obviously, the even bigger surprise was that Avatar didn’t take home many statues, which was odd, but not something that I will shed many tears over even though I think The Hurt Locker was too flawed as a film (see: unnecessary final 15 minutes) to out-rank the technological and industry-changing achievement of James Cameron’s opus. This will probably really, really weird in 10 years when 2D movies don’t even exist anymore and our schools are no longer teaching kids that the Iraq War was a conflict so much as it was The Louisiana Purchase, Part Deux.

Whoa.

Sorry about that. I swear I was on my down to jokeville there and somehow took a left at political. Won’t happen again.

Most importantly, here’s the new, longer trailer for Iron Man 2. The person in the red and gold suit is for sure more important than talking about the people who won gold statues. (trailer via Super Hero Hype)

I was sold anyway. But, man … look at all those guys in superhero suits with guys. Yes, please.

And, oh yeah, here are those Academy Awards winners I promised you. You can see the other winners in the lesser categories over at IMDb.

Best Picture

  • Avatar
  • The Blind Side
  • District 9
  • An Education
  • The Hurt Locker ** WINNER **
  • Inglourious Basterds
  • Precious: Based on the Novel ‘Push’ by Sapphire Lee Daniels
  • A Serious Man
  • Up
  • Up in the Air

Best Director

  • James Cameron
 (Avatar)
  • Kathryn Bigelow
 (The Hurt Locker) ** WINNER **
  • Quentin Tarantino
 (Inglourious Basterds)
  • Lee Daniels
 (Precious: Based on the Novel ‘Push’ by Sapphire)
  • Jason Reitman (Up in the Air)

Actress in a Leading Role

  • Sandra Bullock (The Blind Side) ** WINNER **
  • Helen Mirren (The Last Station)
  • Carey Mulligan (An Education)
  • Gabourey Sidibe (Precious: Based on the Novel ‘Push’ by Sapphire)
  • Meryl Streep (Julie & Julia)

Actor in a Leading Role

  • Jeff Bridges (Crazy Heart) ** WINNER **
  • George Clooney (Up in the Air)
  • Colin Firth (A Single Man)
  • Morgan Freeman (Invictus)
  • Jeremy Renner (The Hurt Locker)

Actress in a Supporting Role

  • Penélope Cruz (Nine)
  • Vera Farmiga (Up in the Air)
  • Maggie Gyllenhaal (Crazy Heart)
  • Anna Kendrick (Up in the Air)
  • Mo’Nique (Precious: Based on the Novel ‘Push’ by Sapphire) ** WINNER **

Actor in a Supporting Role

  • Matt Damon (Invictus)
  • Woody Harrelson (The Messenger)
  • Christopher Plummer (The Last Station)
  • Stanley Tucci (The Lovely Bones)
  • Christoph Waltz (Inglourious Basterds) ** WINNER **

Best Original Screenplay

  • The Hurt Locker (Mark Boal) ** WINNER **
  • Inglourious Basterds (Quentin Tarantino)
  • The Messenger (Alessandro Camon & Oren Moverman)
  • A Serious Man (Joel Coen & Ethan Coen)
  • Up (Bob Peterson, Pete Docter. Story by Pete Docter, Bob Peterson, Tom McCarthy)

Best Adaptated Screenplay

  • District 9 (Neill Blomkamp and Terri Tatchell)
  • An Education (Nick Hornby)
  • In the Loop (Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche)
  • Precious: Based on the Novel ‘Push’ by Sapphire (Geoffrey Fletcher) ** WINNER **
  • Up in the Air (Jason Reitman and Sheldon Turner)

Cinematography

  • Mauro Fiore
 (Avatar) ** WINNER **
  • Bruno Delbonnel
 (Harry Potter and the Half-Blood Prince)
  • Barry Ackroyd
 (The Hurt Locker)
  • Robert Richardson (Inglourious Basterds)
  • Christian Berger (The White Ribbon)

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If you have seen Reservoir Dogs, you will think this is pretty clever.

If you haven’t, throw that in your Netflix queue.

And you can find some other sweet Quentin-related posters (Pulp Fiction, Kill Bill 1 and 2, Inglourious Basterds, Jackie Brown and Death Proof) at this here website, which makes them available for both your viewing and purchasing pleasure. (via Design You Trust)

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Ten Best Picture Haiku

by Dustin Freeley on February 13, 2010 · 1 comment

The other night, I watched Fight Club and the haiku scene spoke to me:

First off, it emphasizes the mundane routines that most of us trudge through each day, but more poignantly, seventeen syllables really sum up the theme of the movie.  That said, I figured I’d go through this year’s Best Picture nominees and see if I could capture each one’s essence through haiku:

Avatar

poorly insured vet

wooed by evil white men to

ruin blue harmony

An Education

don’t weep, poor David

humbert humbert grew madder

Roman had to flee

The Hurt Locker

some people love war

diffuse suicides with ease

cereal aisle boggles

The Blind Side

homeless and broken

white guilt builds great left tackle

i want an Oscar

Up

dreams of adventure

lost in one and only love

dreamt again in—squirrel!

District 9

a swiss cheese story

a wasted allegory

a craving for shrimp

Up in the Air

blame can be outsourced

reality: relative

get behind asians

Inglourious Basterds

{thump!} knells the Bear Jew

credits roll an inferno

bon joor no hitler

Precious: based on the novel “Push” by Sapphire

rolling hills of flesh

suffocating grief and pain

no redemption here

A Serious Man

i haven’t seen it

i hear it’s about a jew

can’t roll on shabbos

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