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Robert Cotto

And the Nominees are…

by Robert Cotto on January 25, 2011 · 2 comments

The Coen Brothers' remake of "True Grit" lands 10 Oscar Nominations

For a complete list of nominees, please click here.

The Oscar nominations are in, and while “The King’s Speech” is leading the way with twelve nominations, I’m very surprised at all the love “True Grit” received this morning, in second place with ten nominations, after being snubbed by the Golden Globes and The Directors Guild of America.

The gauntlet of Public Relations worked well for some of these surprise nominees, who eased out, what seemed to be, surefire nominees.

Julia Roberts hosted a screening of “Biutiful” last month in Los Angeles, praising her “Eat, Pray, Love” co-star Javier Bardem. Since the Academy’s voting majority is actors, actors campaigning for each other seems to work. Bardem eased out potential nominees Robert Duvall for “Get Low” (who was the front runner for most of the year to win his 2nd Best Actor Oscar) and Ryan Gosling for the controversial “Blue Valentine”, in which the films NC-17 publicity tirade scared too many voters off in acknowledging it more. Though Michelle Williams’ performance got recognized, the movie is nothing without Gosling.

With exception of Natalie Portman, the rest of the “Black Swan” ensemble got shut out. One of the surprises I was hoping for this morning was for Barbara Hershey to land a Supporting Actress nod for her Piper Laurie-esque “Carrie” performance. Ah, well.

The Best Actress race will be a show down between three-time nominee Annette Bening and Natalie Portman’s tour de force. Oscar pundits say Portman has it won already. But, I can’t seem to wrap my head around that, considering Bening is consistently turning out good work, this being among her best. She always seems to be in contention, whether she gets nominated of not. Oh, and she’s married to Warren Beatty. What does Bening’s spouse have anything to do with this? The Roberts/Bardem logic applies here, as well. Bottom line though, it’s the work. The work is so good, it got Julianne Moore snubbed…again.

The biggest surprise of the morning for me was the nomination for John Hawkes in “Winter’s Bone”, who, for me, was the best thing about the movie. It was at that moment I was expecting “Winter’s Bone” to do well. It was sure to, and did, wind up in one of the ten spots. Jennifer Lawrence’s star-making turn got acknowledged, as did the screenplay. The most common reaction from this group of filmmakers is sure to be, “It’s great just to be nominated.”

Even though many would say the surprise in the Director category is Joel and Ethan Coen securing a nomination, it’s really David O. Russell besting Christopher Nolan. While “The Fighter” is a well-done work, it’s the performances that drive the movie, not his directing. The resolution of the film seems more like a conclusion rather than a victory. It surely doesn’t have the power that “Rocky” continues to have 35 years later. Even though Rocky loses to Apollo, at the end of that flick, Rocky still won. “Inception” is a film driven by it’s director, not it’s performances. As stated here before, Nolan is the star of “Inception”. Failing to recognize him is disappointing. Nolan did wind up in the “Citizen Kane/Pulp Fiction” consolation prize category, Best Original Screenplay.

With all the love “True Grit” received this morning, don’t be surprised if Hailee Steinfeld pulls a Tatum O’Neal and wins Best Supporting Actress for “True Grit”. You heard it here first.

The Academy Awards air on February 27, 2011 on ABC. More predictions coming soon.

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Cotto’s Best of 2010

by Robert Cotto on January 3, 2011 · 1 comment

The first word out of my mouth after seeing a “great” movie is more often than not, an expletive. Followed by an exhale. I would’ve have thought with “The Social Network”, closing with The Beatles classic “Baby, You’re a Rich Man” would have evoked that emotion. It didn’t. It did however after Leo DiCaprio’s final line of “Shutter Island”. This “ten” list is about, more than anything, being moved.

1. Never Let Me Go

A haunting, sci-fi tale, set in a not so distant past, about a group of young adults whose sole purpose in life is donate organs for more privileged human beings, while struggling with experiencing profound emotion, knowing the fate of their impending demise. I couldn’t help but think of the Springsteen line from “Mary Queen of Arkansas”; “I was not born to live to die…” while sitting in the theater. That’s the entire point of these lives. Carey Mulligan and Andrew Garfield (who completely transforms himself here; which, if you see him in “The Social Network”, that same praise is lauded to him there, as well). This is the most overlooked film of the year. With any luck, the film will find its audience on DVD.

2. Blue Valentine

Two days in the life of a marriage that unfolds over flashbacks of a blossoming courtship. Ryan Gosling and Michelle Williams go to emotional depths that haven’t been explored as lovingly and as articulately since Cassavetes’ “Faces” & “A Woman Under the Influence”. Derek Cianfrance has made one of the most honest love stories in ages. What he’s able to achieve in his two leads is to be marveled.

3. 127 Hours

Danny Boyle traps James Franco in a hole. Do you know how many women dream about this? And yet, no one has seen this life affirming piece of work? Franco has arrived. More people need to come out and greet him.

4. Inception

Here are my initial thoughts on Christopher Nolan’s film. They still apply.

5. The Town

“Gone, Baby Gone” was no fluke. Taking references from “The Friends of Eddie Coyle,” writer/director/star Ben Affleck updates the heist genre, with a stellar cast, notably with Jeremy Renner, who enters Pesci of “Goodfellas” territory.

6. The Kids Are All Right

The ensemble cast of the year. I recall “Terms of Endearment” in thinking about this film; not that there’s an overwhelmingly sad death at the end, but at it’s honest, and often humorous approach to the family unit, although not conventional. Annette Bening gives one of the best performances of the year. Completely nuanced, never over the top.

7. Black Swan

If you’ve seen Michael Powell and Emeric Pressburger’s “The Red Shoes,” then it’s impossible to not draw comparisons to this film. Another story set in the ballet world about performance, passion, drive (like “Shoes”), and the depths one goes to get lost in the part. It’s a tour-de-force for Natalie Portman, and another milestone in Darren Aronosky’s filmography.

8. True Grit

The Coen Brothers remake evokes the spirit of John Ford while remaining definitively Coen. Jeff Bridges take on Rooster Cogburn is exceptional, but it’s the underrated and under praised work of Hattie Steinfeld that is the real reason to check out this gem.

9. The Ghost Writer

McKee says, “Wow them in the end, and you’ve got a hit.” With references to his own life and work, Roman Polanski’s modern day noir about a successful ghost writer who agrees to complete the memoirs of a former British Prime Minister exceeds all expectations. Career highs for Ewan McGregor’s ghost writer and Pierce Brosnan’s prime minister. Though it’s Olivia Williams performance as the prime minister’s better half that is most memorable, and least discussed.

10. Another Year

Mike Leigh’s funny and heartbreaking story that chronicles a year in the life of a blissfully happy couple in their golden years and their friends, who all seem to be lacking happiness in their own lives. Another great ensemble, led by Jim Broadbent, but it’s Leigh regular Lesley Manville’s performance that really keeps you glued.

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Inception is the most bold, daring, thought-provoking, original work released by a major Hollywood studio in the last decade. To classify Christopher Nolan’s film to any specific genre is a disservice to the audience’s expectations. Dreams and ideas lay at the forefront of this psychological mind-bender; how one man’s subconscious thoughts can either make or break his cause.

What’s incredibly refreshing about this film is that the star is not Mr. DiCaprio, but the movie itself. It’s a wild ride through one man’s tumultuous psyche; one that will continue to raise questions upon each repeated viewing.


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The 82nd Academy Awards are tonight, and the best, brightest and beautiful of Hollywood will gather yet again to honor the year that was in cinema. Below are my predictions for who will win the hardware tonight.

Fill out your Oscar pools carefully. (And as a reminder, here is a full list of the nominees in all the major categories.)

Best PictureThe Hurt Locker

Best Director – Kathryn Bigelow, The Hurt Locker

Best Actor – Jeff Bridges, Crazy Heart

Best Actress – Gabourey Sidibe, Precious (IF THERE WILL BE A SURPRISE ON OSCAR NIGHT THIS WILL BE IT. If all goes to predictabilty, congratulations, Sandra Bullock.)

Best Supporting Actor – Christoph Waltz, Inglourious Basterds

Best Supporting Actress – Mo’Nique, Precious

Best Original ScreenplayInglourious Basterds, Quentin Tarantino

Best Adapted ScreenplayUp in the Air, Jason Reitman

Animated FeatureUp

Art DirectionAvatar

CinematographyAvatar

Costume DesignThe Young Victoria

Documentary FeatureThe Cove

Film EditingAvatar

Foreign Language FilmThe White Ribbon

MakeupThe Young Victoria

Original ScoreUp

Original Song – “The Weary Kind,” Crazy Heart

Sound EditingThe Hurt Locker

Sound Mixing The Hurt Locker

Visual EffectsAvatar

(Disclaimer: I have no clue whatsoever on these final three.)

Documentary Short The Last Truck: Closing of a GM Plant

Animated ShortA Matter of Loaf and Death

Live Action Short The New Tenants

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